Marco Bellocchio’s The Traitor does away with the rise and fall narrative seen in many mob films, delving instead into the monumental fall of one of the world’s most powerful Mafia syndicates. Josh Slater-Williams reviews.

A veteran performer who has worked extensively in his native Iceland, Ingvar Eggert Sigurðsson tells us about A White, White Day and the current state of Icelandic cinema.

Introducing our new series of lockdown diaries from Curzon staff members. First up we have Lydia Penke, film programmer, baker, volunteer, tiger king…

Thomas Clay’s return to filmmaking after a twelve-year hiatus is a welcome and beguiling addition to the Edinburgh Film Festival programme screening on Curzon Home Cinema.

Just as Jean-Pierre and Luc Dardenne’s express加速软件receives its Edinburgh Film Festival premiere on Curzon Home Cinema, the acclaimed filmmakers will take part in a masterclass to discuss their singular approach to filmmaking.

Now deep into the Bong-hive, Gabriella Kere speaks to artist Michael Flinchpaugh about his Parasite poster for part three of our series.

Gabriella Kere continues her adventures in Parasite poster art, this time speaking to Cardiff-based designer Matt Needle.

In a new interview series, Gabriella Kere introduces some of the most talented members of the Bong-hive who channelled their passion and fandom for Parasite into a fantastic series of alternate artworks.

We speak to writer-director Atom Egoyan about melodrama, his storytelling interests and the genesis of Guest of Honour.

It’s been a while since we were able to hit the courts, but now is the time for basketball stars. Curzon Mayfair’s Oliver Swift watches Hoop Dreams from courtside and finds it’s more than a slam dunk.

Curzon Bloomsbury’s Milo Flahavan joins the surrogate family at the heart of Kore-eda’s Shoplifters to see how they redefine what it really means to raise and be raised by a family.